I write stuff for kids...and muse on writing, children's books, and the publishing industry in general
Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Monday, August 20, 2012

New Adult: A Real Category or an Absurd Balkanization of Bookstores? (Guest post by C. Lee McKenzie)

Goodness me, how time flies! I hope you've all had a lovely few weeks and got lots of rest in--I know heaps of you have taken breaks over the summer (US and Europe) and winter (Oz and NZ) holidays. I myself have just come back from a glorious camping holiday--winter camping (I know, right!) though we went up north to the beach, and had lovely sunny shirts-and-shorts weather, lots of ice-cream and fish and chips, and heaps of dolphin-sightings (beautiful creatures!). So I'm all rested and refreshed and ready to introduce to you the gorgeous C. Lee McKenzie, who'll be talking to us today about New Adult.

So take it away Lee, and while you've got control of my blog, I'm off to look up "balkanization" and find out what it means - I'll report back later :D

New Adult: A Real Category or an Absurd Balkanization of Bookstores?           

It has been almost three years since the term New Adult (NA) emerged on the book scene. St. Martin's Press in conjunction with Georgia McBride's YaLitChat did something amazing. They asked for writers to sub their novels to a contest. Three winners would receive a copy of Tempted by P. C. Cast and Kristina Cast, but they'd also have a shot at publication. Who could resist that? Apparently not many because they received 382 submissions.

The rules were simple and one of them set out the NA category clearly. “[Submit] fiction applicable to older teens and twentysomethings, but 20's are preferred."

Since then several articles and blog posts have been published about NA. And there's some debate about whether this is a real category or a new way to package “chick lit.”

Uncreated Conscience says, no. “[Saying NA is all about “chick lit is] like saying YA is only about high school. It is not. YA is about a certain time of life, when you are no longer a child but not quite an adult and one can write about this period of time through less literal genres like historical fiction or science-fiction and fantasy. Similarly, New Adult is about young adulthood, when you are an adult but have not established your life as one.”

Writers seem to applaud the possibility that they'll be able to write books with slightly older protagonists (18-24) who are dealing with major life issues for the first time.

As author, Lynn Rush, says, "Kids and teens focus on the present, while adults draw on their past experience to inform their present and future decisions. New Adults are somewhere in between…. That distinction might seem subtle, but it comes through loud and clear in the voice of New Adult Fiction.”

In From the Write Angle, J. Lea Lopez argues that with NA “Variety is really the whole point here. There's variety in both YA and adult literature, and as a supporter for a New Adult category, what I'm rallying for is even more of it.”

NA Alley, Bridging the Gap Between Young Adult and Adult Fiction is a most site where seven writers have come together to write and promote this “category” of fiction.

I can see why writers would embrace NA as a category. Look at the diversity of themes that are available. What previous generations have embraced as traditional steps following high school, no longer applies. As Robin Marantz Henig writes,”The 20s are a black box, and there is a lot of churning in there.” The writer in me translates that as a lot of opportunity for stories that readers are waiting for.

What happens when a twentysomething:

• moves home?

• is rootless, going from one place to another, not establishing any community?

• goes from job to job? Will this be a great experience or result in a failed career or worse?

• lives with a partner, but doesn’t marry?

• marries much later than that traditional early-mid twenties?

We’re already seeing some of these stories, and in all likelihood, we’ll see many more of “twentysomethings churning” because this group of readers exists and scholars are providing a ton of research about them.

JEFFREY JENSEN ARNETT, a psychology professor at Clark University in Worcester, Mass., calls the 20s a distinct life stage and refers to it as “emerging adulthood.”

But there’s an argument against creating this NA category. In an Upstart Crow Literary post, “New Adult”--Specious category or market opportunity? the author, Michael, calls it a "slippery slope," even, "an absurd Balkanization of bookstores." He says, "[when I was a twentysomething] I didn't need any sort of bookstore category to do my thinking for me . . ." He humorously proposes that this “slippery slope” could well lead to other categories: “‘Elderly and Disgruntled.” “Stories for Shut-Ins.” “Masculine Asses.” “Pre-Feminist Thinkers.’”

Then there’s the “dumbing down” factor that pops up in comments about NA. Do we spoon feed our children so much already that creating this category is just another form of parental helicoptering? Is it a way to confirm that the twentysomethings don’t have the ability to select books from the adult fiction section, the history or science sections?

As for me, I’m excited to see something new. The publishing is a constantly and--now more than ever--quickly changing business, so I ask, “Why not?” Besides, some authors already refer to their books as New Adult. They’ve found a niche for those not quite YA, not quite Adult novels.

How about you: As writers/readers, what do you think about New Adult finding a shelf (real or virtual)?

++

Thanks so much Lee, for your intriguing post on New Adult. I really enjoyed reading it, and now that I know the meaning of "Balkanization", life is all good :)

Have you read Lee's book yet? It's called ALLIGATORS OVERHEAD, and here's the blurb:
Alligators, witches and a spooky mansion aren't your average neighbors unless you live at the edge of the Ornofree swamp in the backwater town of Hadleyville. The town's bad boy, Pete Riley, may only be twelve, but he's up to his eyeballs in big trouble, and this time he isn't the cause. This time the trouble arrives when a legendary hundred-year-old mansion materializes next door and the Ornofree alligators declare war to save their swamp from bulldozers. Things only get worse when Pete's guardian aunt and several of her close friends vanish while trying to restore order using outdated witchcraft. Now Pete must find the witches and stop the war. He might stand a chance if his one friend, Weasel, sticks with him, but even then, they may not have what it takes.
Here are Lee's author/contact details:

WEBSITE: http://cleemckenziebooks.com

BLOG: http://writegame.blogspot.com

FACEBOOK: https://www.facebook.com/cleemckenziebooks

TWITTER : @cleemckenzie

AMAZON AUTHOR PAGE: http://www.amazon.com/-/e/B0042M1KYW

GOODREADS: http://www.goodreads.com/author/show/2809083.C_Lee_McKenzie



And if you'd like to check out Lee's book, here is some link love:

AMAZON KINDLE

AMAZON PAPERBACK

B&N

SMASHWORDS

Catch you all soon, and big hugs,

Monday, January 16, 2012

The Writing Process: guest post by Brooke Johnson (and a contest!)

Guys, today Brooke Johnson, author of The Clockwork Giant, has come along to give us some insight into her writing process. I hope you all enjoy her comments, and find some useful things that you may be able to apply to your own writing. Make sure you read to the end for a chance to win a copy of The Clockwork Giant (paperback or ebook).

Take it away Brooke :)

++

Hi people, Brooke Johnson here, debut author of The Clockwork Giant, a young adult steampunk novel. You can find more about me and my writing at my website. As part of this guest post, I’m also giving away a copy of my book—ebook or paperback, whichever is preferred—so be sure to comment!

When I sit down to write a new story, I have the basic idea in mind, a loose sort of mental collage. But before I can start writing, I have to figure out what my characters—what they want, and how far they’re willing to go to get it. That says a lot about a person, more than their eye color or current occupation. It’s also important to know their fatal flaw. In the case of Petra, the main character of The Clockwork Giant, her biggest flaw is the compulsion to prove herself.

Once I have my characters, I have to figure out the theme, or the meaning behind the story. It has to be something that syncs with the characters’ goals and what I have in mind for the plot. For The Clockwork Giant, I wanted to tell a story about a girl who despite her current situation isn’t afraid to follow her dreams, even if she has to fight the entire way.

When I know the theme, I can start plotting. I aim to plot at least two subplots in addition to the main plot, but ideally, the subplots are so integral to the main plot, it all sort of meshes together. At this point, I take that mental collage of images that I associate with my story, and I start jotting scenes down. A scene description could be anywhere from a short sentence to a quarter of a page. I don’t try to plot chronologically. I think of the big scenes first, the ones that are so important that without them, the story wouldn’t exist. Then I brainstorm on the less exciting scenes and the subplots, trying to get about thirty scenes total. Once I’ve done that, I shuffle the scenes around until I find the order I like best.

And when that’s done, I can start writing. I try to get at least 1500 words a day, but sometimes I can write twice that. I research while I write, looking up things as I go along, but if there is a bunch of stuff to research, I’ll put aside a day or a week to get it all straightened out. I also edit as I go, reading over the previous day’s work before putting any new words down. It helps me remember where I left off, and I can fix any typos or awkward phrasing I might find. Oftentimes, I’ll discover within the first chapter or two that my outline isn’t going to work, and I have to adjust. For The Clockwork Giant, I had written three-quarters of the book when I realized that I would have to change the ending. Thankfully, I’m not that stubborn. The ending is better for it.

After I finish the first draft, I send it to my beta-readers. Once they respond, next are the rounds and rounds of revision and editing and proofreading until finally, the book is finished. It’s a long, arduous process, but totally worth it.

++

Thanks so much to Brooke for taking the time to talk to us today. Here's her bio:
Ever since she was a little girl, Brooke had a love of building long-forgotten, fantastical worlds, and as she grew up, and the worlds became more complex and the characters came to life, she found that she didn't have enough Legos to do them justice. Convinced it was her destiny to create, she delved into writing.

Now married and living in Northwest Arkansas with her husband and dog, she spends her days scrambling around the vast landscape of her imagination, the fantastical worlds of princes and wizards on one side and the towering, brass cities of automatons and engineers on the other.
You can purchase The Clockwork Giant at most online retailers, including Amazon, Barnes & Noble, Smashwords, and Lulu. The Book Trailer is here if you want to check it out.

The Clockwork Giant description

It's 1881, the fiftieth anniversary of the founding of Chroniker City, the global hub of technological advancement in the modern world. Based off the British coast, the city is home to the most prestigious polytechnic university worldwide, a center of mechanical ingenuity teaching everything from clockwork mechanics and thermodynamics to electromagnetism and electricity.

Petra Wade, self-taught clockwork engineer, dreams of one day becoming a member of the Guild, an elite group of inventors and innovators who envision a future fueled by technology, but her ambitions will only come to fruition if she can find a way into the illustrious university—an institution reserved for men only. When she meets Emmerich Goss, an accomplished engineer newly recruited into the Guild, Petra discovers that he needs help building a top-secret, government-sanctioned automaton, and she is just the girl to help him.

Together, they craft the clockwork giant, and as the deadline for its completion nears, Petra finds that she can love more than gears and mainsprings.

Contest

If you would like the chance to win a copy of The Clockwork Giant (paperback or ebook), please follow both myself and Brooke if you're not already, and leave a comment below. The winner will be drawn by Random.org and will be announced next Monday, so make sure you pop back then. We'll try to contact the winner but if we can't (if their email address is not linked up to their blogging profile for example), we may have to re-draw.

Writers' Platform-Building Campaign

Thanks so much to everyone who voted and gave me their comments on my question last week: one Campaign or two per year. You've all been an awesome help and have made some comments that really touched me. And a huge thank you to everyone who volunteered to assist me - I'll be getting in touch with you soon to discuss. I've nearly got my plans in place for what I'll be doing, and I'll be making the grand announcement next Monday. So stay tuned :)

Hope everyone has a great week!

Hugs,

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